{"id":289553,"date":"2025-12-22T00:24:58","date_gmt":"2025-12-22T00:24:58","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=289553"},"modified":"2025-12-21T09:09:46","modified_gmt":"2025-12-21T09:09:46","slug":"stephen-shames-formas-de-ver","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2025\/12\/22\/stephen-shames-formas-de-ver\/","title":{"rendered":"Stephen Shames: formas de ver"},"content":{"rendered":"<p><em>Todos habr\u00e1n visto la imagen de un desafiante Trump, con la oreja y la mejilla salpicadas de sangre, siendo sacado del escenario por agentes del Servicio Secreto durante un mitin de campa\u00f1a al aire libre en Pensilvania.<\/em><\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_289301\" aria-describedby=\"caption-attachment-289301\" style=\"width: 424px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-289301\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/12\/1972-Oakland-California.jpg\" alt=\"\" width=\"424\" height=\"283\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/12\/1972-Oakland-California.jpg 1063w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/12\/1972-Oakland-California-300x200.jpg 300w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/12\/1972-Oakland-California-1024x684.jpg 1024w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/12\/1972-Oakland-California-431x288.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/12\/1972-Oakland-California-862x576.jpg 862w\" sizes=\"auto, (max-width: 424px) 100vw, 424px\" \/><figcaption id=\"caption-attachment-289301\" class=\"wp-caption-text\">1972 &#8211; Oakland, California, EE. UU: La pareja de adolescentes Candy y Anthony. \u00a9 Stephen Shames.<\/figcaption><\/figure>\n<p><strong><span style=\"color: #003366;\">Sean Sheehan<\/span><\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>En el momento del intento de asesinato, en julio de 2024, Trump era expresidente de Estados Unidos y estaba a punto de convertirse en el candidato en las elecciones presidenciales de ese a\u00f1o.<\/p>\n<p>La imagen de \u00e9l, con el pu\u00f1o en alto y una bandera estadounidense de fondo, contiene todos los elementos de una fotograf\u00eda genuinamente ic\u00f3nica, emblem\u00e1tica del coraje frente a quienes quisieran enterrar a un mensajero de esperanza y cambio. Invita a la comparaci\u00f3n con la \u00faltima foto de Salvador Allende, el 11 de septiembre de 1973, en el palacio presidencial de Santiago, mirando hacia los aviones de combate que volaban bajo como parte de un golpe llevado a cabo en cooperaci\u00f3n con el pa\u00eds del que Trump pronto volver\u00eda a ser elegido presidente.<\/p>\n<figure style=\"width: 331px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/12\/May-1970.-New-Haven-Connecticut-USA.jpg\" alt=\"\" width=\"331\" height=\"500\" \/><figcaption class=\"wp-caption-text\">1 de mayo,1970. New Haven, Connecticut, EE. UU: Ni\u00f1o saluda con pu\u00f1o en alto mientras \u00e9l y un amigo se sientan en una estatua frente al juzgado. \u00a9Stephen Shames.<\/figcaption><\/figure>\n<p>La diferencia en el poder de distintas im\u00e1genes est\u00e1 ligada al conocimiento que el espectador aporta al acto de mirarlas y a las afinidades del fot\u00f3grafo que las toma. Stephen Shames captura fotograf\u00edas que contradicen la imagen de Trump en su mitin, como la de un ni\u00f1o en Brasil, tendido en el suelo de un centro de acogida para ni\u00f1os de la calle, cuyos ojos no miran a la c\u00e1mara pero cuya inquietante mirada perturba al espectador. El pu\u00f1o que Trump levant\u00f3 no tiene el mismo significado que el pu\u00f1o de un ni\u00f1o sentado sobre una estatua durante una manifestaci\u00f3n en el juicio de dos miembros del Partido Pantera Negra acusados de asesinato. Corr\u00eda el a\u00f1o 1970 y los dos miembros fueron absueltos.<\/p>\n<p>\u201cGran parte de mi fotograf\u00eda trata sobre ni\u00f1os en situaci\u00f3n de angustia, con un enfoque en la identidad y la familia: lo que nos separa y lo que nos une \u2014violencia y abuso, pero tambi\u00e9n sensualidad, amor, esperanza y trascendencia\u201d. Esto queda claro en <em>\u201cA lifetime in photography\u201d (Toda una vida en la fotograf\u00eda)<\/em>, una retrospectiva de su trabajo a lo largo de m\u00e1s de cinco d\u00e9cadas, pero lo que escribe en su introducci\u00f3n tambi\u00e9n se aplica a sus fotos de la resistencia negra contra la injusticia en los a\u00f1os sesenta y setenta. Las fotograf\u00edas tomadas por Shames de los Panteras Negras, presentes en este libro y <a href=\"https:\/\/www.vice.com\/en\/article\/black-panthers-photos-stephen-shames\/\">aqu\u00ed<\/a>, son tan poderosas como valiosas; inolvidable es la de James Baldwin, bien vestido como muestra de respeto hacia el presidente de los Panteras Negras, Bobby Seale, a quien espera visitar en prisi\u00f3n.<\/p>\n<figure style=\"width: 413px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/12\/2002-Rio-de-Janeiro.jpg\" alt=\"\" width=\"413\" height=\"272\" \/><figcaption class=\"wp-caption-text\">2002 &#8211; R\u00edo de Janeiro, Brasil: \u00abOjos de hoja\u00bb. Ni\u00f1o con ojos demasiado viejos en Sao Martinho, programa dirigido por Iglesia cat\u00f3lica para ni\u00f1os de la calle. \u00a9 Stephen Shames\/Polaris)<\/figcaption><\/figure>\n<p>Shames, al fotografiar el pa\u00eds que Jean Baudrillard llam\u00f3 \u201cla \u00fanica sociedad primitiva que queda en la tierra\u201d, sabe lo que est\u00e1 en juego: \u00abMiren lo que est\u00e1 pasando en Estados Unidos. Miren el auge de partidos de extrema derecha, proto-nazis, en todo el mundo. Es muy aterrador, y creo que es importante que la gente vea que en los a\u00f1os sesenta ten\u00edamos l\u00edderes y encontramos soluciones\u201d.<\/p>\n<p><em>\u201cStephen Shames: \u201cA lifetime in photography\u201d<\/em> es publicado por Kehrer<em>.<\/em><\/p>\n<p><span style=\"color: #003366;\"><em><em><strong>(Traducido por Monica del Pilar Uribe Marin)<\/strong> &#8211; Fotos suministradas por la editorial y autorizadas para su publicaci\u00f3n)<\/em><\/em><\/span><\/p>\n<p><span style=\"color: #003366;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-289299\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/12\/Front-cover.jpg\" alt=\"\" width=\"821\" height=\"1076\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/12\/Front-cover.jpg 549w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/12\/Front-cover-153x200.jpg 153w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2025\/12\/Front-cover-431x565.jpg 431w\" sizes=\"auto, (max-width: 821px) 100vw, 821px\" \/><\/span><\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=Stephen+Shames%3A+formas+de+ver\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2025\/12\/22\/stephen-shames-formas-de-ver\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Todos habr\u00e1n visto la imagen de un desafiante Trump, con la oreja y la mejilla salpicadas de sangre, siendo sacado del escenario por agentes del Servicio Secreto durante un mitin de campa\u00f1a al aire libre en Pensilvania. &nbsp; Sean Sheehan \u00a0 En el momento del intento de asesinato, en julio [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":287767,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-289553","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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