{"id":290364,"date":"2026-03-09T00:24:44","date_gmt":"2026-03-09T00:24:44","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=290364"},"modified":"2026-03-07T03:49:14","modified_gmt":"2026-03-07T03:49:14","slug":"tras-las-huellas-que-dejo-la-pintora-colombiana-debora-arango","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2026\/03\/09\/tras-las-huellas-que-dejo-la-pintora-colombiana-debora-arango\/","title":{"rendered":"Tras las huellas que dej\u00f3 la pintora colombiana D\u00e9bora Arango"},"content":{"rendered":"<p><em>D\u00e9bora Arango es una de las pintoras m\u00e1s valiosas de la pintura colombiana del siglo XX. Es valiosa por la calidad de su trazo, sobre todo en la acuarela: intenso, agitado, para nada fr\u00e1gil; como si pintara con vino y sangre, no con agua<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #003366;\"><strong><a href=\"https:\/\/www.planetadelibros.com.co\/libro-debora-arango-de-perfil\/430792\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-290395 alignright\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/03\/Debora-Arango-Forntera-D-raedo.jpg\" alt=\"\" width=\"285\" height=\"436\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/03\/Debora-Arango-Forntera-D-raedo.jpg 399w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/03\/Debora-Arango-Forntera-D-raedo-131x200.jpg 131w\" sizes=\"auto, (max-width: 285px) 100vw, 285px\" \/><\/a><a href=\"https:\/\/www.fronterad.com\">Jorge Raed\u00f3*<\/a>\u00a0<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Es valiosa por su mirada sobre la sociedad colombiana: la observa desde muy cerca, la toca y la huele; la analiza con distancia intelectual; ordena a sus personajes en espacios interrelacionados donde las causas y efectos de sus acciones hacen avanzar la historia del pa\u00eds.<\/p>\n<p><em>\u201cD\u00e9bora Arango de perfil. Su vida, su obra, y su tiempo\u201d\u00a0<\/em>es una biograf\u00eda\u00a0<em>sui g\u00e9neris<\/em>\u00a0sobre la pintora. V\u00edctor Cabezas Alb\u00e1n, su autor, act\u00faa como un investigador que sigue las huellas de ella \u2013a la que nunca conoci\u00f3 en persona\u2013 y, sobre todo, de los personajes que se cruzaron en su vida.<\/p>\n<p>Cabezas nos muestra pinceladas de las vidas de los dos artistas que ense\u00f1aron t\u00e9cnicas de pintura a la joven D\u00e9bora en Medell\u00edn; al l\u00edder pol\u00edtico Jorge Eli\u00e9cer Gait\u00e1n y a Amparo Jaramillo, que le ayudaron a exponer en el Teatro Col\u00f3n de Bogot\u00e1. Varios presidentes de Colombia aparecen tambi\u00e9n en esta obra porque tocan teclas importantes para ayudar u obstaculizar la trayectoria de D\u00e9bora.<\/p>\n<p>Las p\u00e1ginas dedicadas a mostrarnos pinceladas de la vida de las pintoras expresionistas alemanas K\u00e4the Kollwitz y Elfriede Lohse-W\u00e4chtler son necesarias para entender la mirada cr\u00edtica de Arango. El expresionismo social alem\u00e1n contagi\u00f3 la mirada descarnada \u2013y bastante desesperanzada\u2013 de Arango, que recrea sucesos hist\u00f3ricos de Colombia con la l\u00f3gica del dramaturgo.<\/p>\n<figure id=\"attachment_290393\" aria-describedby=\"caption-attachment-290393\" style=\"width: 439px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-290393\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/03\/Debora-Arango.-Flickr-Photo-MAMM-Medellin.jpg\" alt=\"\" width=\"439\" height=\"328\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/03\/Debora-Arango.-Flickr-Photo-MAMM-Medellin.jpg 1037w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/03\/Debora-Arango.-Flickr-Photo-MAMM-Medellin-268x200.jpg 268w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/03\/Debora-Arango.-Flickr-Photo-MAMM-Medellin-1024x765.jpg 1024w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/03\/Debora-Arango.-Flickr-Photo-MAMM-Medellin-100x75.jpg 100w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/03\/Debora-Arango.-Flickr-Photo-MAMM-Medellin-216x160.jpg 216w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/03\/Debora-Arango.-Flickr-Photo-MAMM-Medellin-431x322.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/03\/Debora-Arango.-Flickr-Photo-MAMM-Medellin-862x644.jpg 862w\" sizes=\"auto, (max-width: 439px) 100vw, 439px\" \/><figcaption id=\"caption-attachment-290393\" class=\"wp-caption-text\">Debora Arango. Exhibici\u00f3n. Foto <a href=\"https:\/\/www.flickr.com\/photos\/mammedellin\/7343165852\/in\/photolist-bUwqbg-cbTDnN-9gfz4G-9gct1H-dC532Q-9gfyP3-9gfyso\">Flickr \/MAMM Medell\u00edn<\/a>.\u00a0 \u00a0Creative <a href=\"https:\/\/creativecommons.org\/licenses\/by-nc-sa\/2.0\/deed.en\">Commons License<\/a>.<\/figcaption><\/figure>\n<p>Por ejemplo, en el cuadro donde refleja\u00a0<em>el Bogotazo,<\/em>\u00a0o rebeli\u00f3n popular del 9 de abril de 1948, que arras\u00f3 con gran parte de la capital: en el limitado espacio de la puerta de una iglesia vemos la ira y el miedo que se retroalimentan, la sensaci\u00f3n de injusticia social y el hambre \u2013aunque D\u00e9bora nunca lo padeci\u00f3\u2013.<\/p>\n<p>Al final del libro hay fotos de nueve cuadros. Llama la atenci\u00f3n\u00a0<em>El tren de la muerte.\u00a0<\/em>Vemos un tren con vagones de carga con grandes puertas abiertas: dentro hay decenas de cad\u00e1veres. Acuden a nuestra mente flashes de trenes llenos de cautivos que cruzaban Europa durante la Segunda Guerra Mundial. Sin embargo, Arango pint\u00f3 el cuadro en 1948, semanas despu\u00e9s del Bogotazo, a partir de una escena que vio en Puerto Berr\u00edo, a orillas del r\u00edo Magdalena. Cabezas no ha averiguado qu\u00e9 es lo que Arango vio exactamente. El bi\u00f3grafo plantea una hip\u00f3tesis que aqu\u00ed no desvelo por lo inquietante. El tren de la historia no se detiene. D\u00e9bora Arango se retir\u00f3 de la vida p\u00fablica en 1955 y cay\u00f3 casi en el olvido. Se refugi\u00f3 en su finca antioque\u00f1a, donde sigui\u00f3 pintando hasta su muerte en 2004.<\/p>\n<figure id=\"attachment_228146\" aria-describedby=\"caption-attachment-228146\" style=\"width: 440px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-228146\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2019\/11\/contemporary-arte-pintura-picel-Pixabay-e1574652874342.jpg\" alt=\"\" width=\"440\" height=\"294\" \/><figcaption id=\"caption-attachment-228146\" class=\"wp-caption-text\">Foto: Pixabay<\/figcaption><\/figure>\n<p>Desde 1986, su obra experiment\u00f3 una paulatina recuperaci\u00f3n en el imaginario social y en el mercado del arte. Al margen de sus preferencias pol\u00edticas, hoy en d\u00eda ella es considerada una de las grandes artistas colombianas.<\/p>\n<p><em>\u201cD\u00e9bora Arango de perfil. Su vida, su obra, y su tiempo\u201d,<\/em>\u00a0de V\u00edctor Cabezas Alb\u00e1n.\u00a0<a href=\"https:\/\/www.planetadelibros.com.co\/libro-debora-arango-de-perfil\/430792\">Planeta Colombiana<\/a>, 2025.<\/p>\n<p><strong><em>*<\/em><\/strong><em>Art\u00edculo y portada <a href=\"https:\/\/www.fronterad.com\/tras-las-huellas-que-dejo-la-pintora-colombiana-debora-arango\/\">originalmente <\/a><\/em><a href=\"https:\/\/www.fronterad.com\/tras-las-huellas-que-dejo-la-pintora-colombiana-debora-arango\/\"><em>publicados en Frontera D<\/em><em>.<\/em><\/a><\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=Tras+las+huellas+que+dej%C3%B3+la+pintora+colombiana+D%C3%A9bora+Arango\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2026\/03\/09\/tras-las-huellas-que-dejo-la-pintora-colombiana-debora-arango\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>D\u00e9bora Arango es una de las pintoras m\u00e1s valiosas de la pintura colombiana del siglo XX. Es valiosa por la calidad de su trazo, sobre todo en la acuarela: intenso, agitado, para nada fr\u00e1gil; como si pintara con vino y sangre, no con agua. &nbsp; Jorge Raed\u00f3*\u00a0 &nbsp; Es valiosa [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,39],"tags":[],"class_list":["post-290364","post","type-post","status-publish","format-standard","category-cultura","category-en-foco","category-opinion","category-plastica"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Tras las huellas que dej\u00f3 la pintora colombiana D\u00e9bora Arango - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/?p=290353\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tras las huellas que dej\u00f3 la pintora colombiana D\u00e9bora Arango\" \/>\n<meta property=\"og:description\" content=\"D\u00e9bora Arango es una de las pintoras m\u00e1s valiosas de la pintura colombiana del siglo XX. Es valiosa por la calidad de su trazo, sobre todo en la acuarela: intenso, agitado, para nada fr\u00e1gil; como si pintara con vino y sangre, no con agua.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theprisma.co.uk\/?p=290353\" \/>\n<meta property=\"og:site_name\" content=\"ThePrisma.co.uk\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper\" \/>\n<meta property=\"article:published_time\" content=\"2026-03-09T00:24:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2019\/11\/contemporary-arte-pintura-picel-Pixabay-e1574652874342.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"590\" \/>\n\t<meta property=\"og:image:height\" content=\"394\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"ThePrisma\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:site\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"ThePrisma\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=290353#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=290353\"},\"author\":{\"name\":\"ThePrisma\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\"},\"headline\":\"Tras las huellas que dej\u00f3 la pintora colombiana D\u00e9bora Arango\",\"datePublished\":\"2026-03-09T00:24:44+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=290353\"},\"wordCount\":601,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=290353#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/Debora-Arango-Forntera-D-raedo.jpg\",\"articleSection\":[\"Cultura\",\"En Foco\",\"Opini\u00f3n\",\"Pl\u00e1stica\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/?p=290353#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=290353\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=290353\",\"name\":\"Tras las huellas que dej\u00f3 la pintora colombiana D\u00e9bora Arango - ThePrisma.co.uk\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=290353#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=290353#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/Debora-Arango-Forntera-D-raedo.jpg\",\"datePublished\":\"2026-03-09T00:24:44+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=290353#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/?p=290353\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=290353#primaryimage\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/Debora-Arango-Forntera-D-raedo.jpg\",\"contentUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/Debora-Arango-Forntera-D-raedo.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=290353#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/theprisma.co.uk\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Tras las huellas que dej\u00f3 la pintora colombiana D\u00e9bora Arango\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#website\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/\",\"name\":\"ThePrisma.co.uk\",\"description\":\"Ethical and Independent Journalism\u2026 Journalism for immigrants\",\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/theprisma.co.uk\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\",\"name\":\"ThePrisma.co.uk\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/Logo-TP-May-3-2026.jpg\",\"contentUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/Logo-TP-May-3-2026.jpg\",\"width\":2171,\"height\":353,\"caption\":\"ThePrisma.co.uk\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/ThePrismaTheMulticulturalNewspaper\",\"https:\\\/\\\/x.com\\\/The_Prisma\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\",\"name\":\"ThePrisma\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g\",\"caption\":\"ThePrisma\"},\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/author\\\/theprisma\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Tras las huellas que dej\u00f3 la pintora colombiana D\u00e9bora Arango - ThePrisma.co.uk","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/theprisma.co.uk\/?p=290353","og_locale":"es_ES","og_type":"article","og_title":"Tras las huellas que dej\u00f3 la pintora colombiana D\u00e9bora Arango","og_description":"D\u00e9bora Arango es una de las pintoras m\u00e1s valiosas de la pintura colombiana del siglo XX. Es valiosa por la calidad de su trazo, sobre todo en la acuarela: intenso, agitado, para nada fr\u00e1gil; como si pintara con vino y sangre, no con agua.","og_url":"https:\/\/theprisma.co.uk\/?p=290353","og_site_name":"ThePrisma.co.uk","article_publisher":"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper","article_published_time":"2026-03-09T00:24:44+00:00","og_image":[{"width":590,"height":394,"url":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2019\/11\/contemporary-arte-pintura-picel-Pixabay-e1574652874342.jpg","type":"image\/jpeg"}],"author":"ThePrisma","twitter_card":"summary_large_image","twitter_creator":"@The_Prisma","twitter_site":"@The_Prisma","twitter_misc":{"Escrito por":"ThePrisma","Tiempo de lectura":"3 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/theprisma.co.uk\/?p=290353#article","isPartOf":{"@id":"https:\/\/theprisma.co.uk\/?p=290353"},"author":{"name":"ThePrisma","@id":"https:\/\/theprisma.co.uk\/#\/schema\/person\/24f5091d3dc50052d73cbea6ecd09df7"},"headline":"Tras las huellas que dej\u00f3 la pintora colombiana D\u00e9bora Arango","datePublished":"2026-03-09T00:24:44+00:00","mainEntityOfPage":{"@id":"https:\/\/theprisma.co.uk\/?p=290353"},"wordCount":601,"commentCount":0,"publisher":{"@id":"https:\/\/theprisma.co.uk\/#organization"},"image":{"@id":"https:\/\/theprisma.co.uk\/?p=290353#primaryimage"},"thumbnailUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/03\/Debora-Arango-Forntera-D-raedo.jpg","articleSection":["Cultura","En Foco","Opini\u00f3n","Pl\u00e1stica"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/theprisma.co.uk\/?p=290353#respond"]}]},{"@type":"WebPage","@id":"https:\/\/theprisma.co.uk\/?p=290353","url":"https:\/\/theprisma.co.uk\/?p=290353","name":"Tras las huellas que dej\u00f3 la pintora colombiana D\u00e9bora Arango - ThePrisma.co.uk","isPartOf":{"@id":"https:\/\/theprisma.co.uk\/#website"},"primaryImageOfPage":{"@id":"https:\/\/theprisma.co.uk\/?p=290353#primaryimage"},"image":{"@id":"https:\/\/theprisma.co.uk\/?p=290353#primaryimage"},"thumbnailUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/03\/Debora-Arango-Forntera-D-raedo.jpg","datePublished":"2026-03-09T00:24:44+00:00","breadcrumb":{"@id":"https:\/\/theprisma.co.uk\/?p=290353#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/theprisma.co.uk\/?p=290353"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/theprisma.co.uk\/?p=290353#primaryimage","url":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/03\/Debora-Arango-Forntera-D-raedo.jpg","contentUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/03\/Debora-Arango-Forntera-D-raedo.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/theprisma.co.uk\/?p=290353#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/theprisma.co.uk\/"},{"@type":"ListItem","position":2,"name":"Tras las huellas que dej\u00f3 la pintora colombiana D\u00e9bora Arango"}]},{"@type":"WebSite","@id":"https:\/\/theprisma.co.uk\/#website","url":"https:\/\/theprisma.co.uk\/","name":"ThePrisma.co.uk","description":"Ethical and Independent Journalism\u2026 Journalism for immigrants","publisher":{"@id":"https:\/\/theprisma.co.uk\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/theprisma.co.uk\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/theprisma.co.uk\/#organization","name":"ThePrisma.co.uk","url":"https:\/\/theprisma.co.uk\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/theprisma.co.uk\/#\/schema\/logo\/image\/","url":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/05\/Logo-TP-May-3-2026.jpg","contentUrl":"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/05\/Logo-TP-May-3-2026.jpg","width":2171,"height":353,"caption":"ThePrisma.co.uk"},"image":{"@id":"https:\/\/theprisma.co.uk\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper","https:\/\/x.com\/The_Prisma"]},{"@type":"Person","@id":"https:\/\/theprisma.co.uk\/#\/schema\/person\/24f5091d3dc50052d73cbea6ecd09df7","name":"ThePrisma","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0460a803edadc6b8d142ee19ab9952aeb8d3949d4a75e483f11d805b0fa0621e?s=96&d=mm&r=g","caption":"ThePrisma"},"url":"https:\/\/theprisma.co.uk\/es\/author\/theprisma\/"}]}},"_links":{"self":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts\/290364","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/comments?post=290364"}],"version-history":[{"count":11,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts\/290364\/revisions"}],"predecessor-version":[{"id":290413,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/posts\/290364\/revisions\/290413"}],"wp:attachment":[{"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/media?parent=290364"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/categories?post=290364"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theprisma.co.uk\/es\/wp-json\/wp\/v2\/tags?post=290364"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}