{"id":290812,"date":"2026-03-23T00:25:22","date_gmt":"2026-03-23T00:25:22","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=290812"},"modified":"2026-03-23T07:37:30","modified_gmt":"2026-03-23T07:37:30","slug":"el-hogar-refugio-y-discordia","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2026\/03\/23\/el-hogar-refugio-y-discordia\/","title":{"rendered":"El hogar: refugio y discordia"},"content":{"rendered":"

El significado de tener un hogar ha sido central en el drama, la poes\u00eda y la novela durante milenios. Tom McCarthy lo explora con perspicacia en un brillante ensayo de cr\u00edtica literaria titulado \u201cThe threshold and the ledger\u201d (\u00abEl umbral y el libro mayor\u00bb).<\/em><\/p>\n

 <\/p>\n

\"\"Sean Sheehan<\/strong><\/span><\/p>\n

 <\/p>\n

El hogar \/ la casa como lugar tanto de refugio como de discordia es un tema central en la tragedia griega antigua. Esquilo y S\u00f3focles construyen muchos de sus dramas en torno a \u00e9l y, para Esquilo, la Casa de Atreo es un nido de cr\u00edmenes, incesto e infanticidio. Casandra, tra\u00edda a casa como trofeo tras la ca\u00edda de Troya, intuye y expresa esta realidad. Opera, como h\u00e1bilmente lo expresa McCarthy, en una especie de \u00ablongitud de onda liminal\u00bb que la hace consciente del inminente asesinato de Agamen\u00f3n por parte de su esposa cuando este pisa el pa\u00f1o carmes\u00ed que ella ha extendido sobre el umbral de su casa.<\/p>\n

Cuando Agamen\u00f3n cruza el umbral \u2014menos una frontera y m\u00e1s un punto de transici\u00f3n\u2014, su esposa le inflige el castigo por su disposici\u00f3n a sacrificar a su hija, Ifigenia; algo que hizo para aplacar los vientos que imped\u00edan que los barcos griegos zarparan hacia Troya.<\/p>\n

El trayecto que va desde el interior del hogar al exterior y luego de regreso \u2014que marca a Odiseo y Edipo, as\u00ed como a Agamen\u00f3n\u2014 est\u00e1 cargado de consecuencias, y McCarthy rastrea su recurrencia en\u00a0\u00abCarretera perdida\u00bb<\/em>\u00a0(Lost Highway<\/em>) de David Lynch. En la pel\u00edcula, el viaje de Fred Madison desde su hogar es un desmoronamiento de su seguridad ps\u00edquica y la familiaridad de su vida conyugal se convierte en un lugar de lo\u00a0unheimlich<\/em>\u00a0(‘siniestro’, ‘inquietante’).<\/p>\n

\"\"
Leaving home. Foto Wikimedia Coommons<\/a>. Creative Commons License<\/a>.<\/figcaption><\/figure>\n

El viaje psic\u00f3tico que se aleja de la seguridad del hogar \/ la casa tambi\u00e9n puede ser\u00a0ext\u00e1tico<\/em>, en el sentido literal del antiguo griego\u00a0\u00e9c-stasis<\/em>, estar fuera de s\u00ed. McCarthy examina esto, con la ayuda de la traductora cl\u00e1sica y poeta Anne Carson, en relaci\u00f3n con la comedia shakespeariana. En\u00a0\u00abNoche de reyes\u00bb<\/em>, los umbrales que se cruzan son los de la identidad, el g\u00e9nero y la sexualidad.<\/p>\n

Las incursiones en Esquilo, David Lynch, Shakespeare (y Kafka) son provocadas por versos de un \u00fanico poema de la escritora austriaca Ingeborg Bachmann (1926-73) titulado \u00abSal y pan\u00bb (una traducci\u00f3n del cual forma un ap\u00e9ndice de\u201cThe threshold and the ledger\u201d<\/em>). Bachmann es m\u00e1s famosa por su novela \u00abMalina\u00bb<\/em>, una obra fascinante que traza la lucha de la narradora con dos figuras masculinas: un hombre del que est\u00e1 enamorada, Iv\u00e1n, y su esquivo compa\u00f1ero de piso Malina (cuya existencia real es cuestionable). La lucha se desarrolla en espacios dentro y fuera de la casa de la narradora y, por extensi\u00f3n, la Casa de Austria, que refleja la Casa de Atreo con sus horrores y cr\u00edmenes que se extienden y conectan con el pasado nazi del pa\u00eds.<\/p>\n

\"\"\u201cThe threshold and the ledger\u201d<\/em> tiene solo 72 p\u00e1ginas de extensi\u00f3n pero, escrito con claridad de expresi\u00f3n y con una compresi\u00f3n del pensamiento informado, est\u00e1 destinado a llevar al lector a la breve bibliograf\u00eda de autores que discute con tanta habilidad.<\/p>\n

\u201cThe threshold and the ledger\u201d<\/em>, de Tom McCarthy, es publicado por Notting Hill Editions<\/a>.<\/p>\n

(Traducido por Camila Marquez)<\/strong><\/span><\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

El significado de tener un hogar ha sido central en el drama, la poes\u00eda y la novela durante milenios. Tom McCarthy lo explora con perspicacia en un brillante ensayo de cr\u00edtica literaria titulado \u201cThe threshold and the ledger\u201d (\u00abEl umbral y el libro mayor\u00bb).   Sean Sheehan   El hogar […]<\/p>\n","protected":false},"author":9,"featured_media":289419,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-290812","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"\nEl hogar: refugio y discordia - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/es\/2026\/03\/23\/el-hogar-refugio-y-discordia\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El hogar: refugio y discordia\" \/>\n<meta property=\"og:description\" content=\"El significado de tener un hogar ha sido central en el drama, la poes\u00eda y la novela durante milenios. 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