{"id":291559,"date":"2026-04-20T00:24:56","date_gmt":"2026-04-19T23:24:56","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=291559"},"modified":"2026-04-18T07:21:57","modified_gmt":"2026-04-18T06:21:57","slug":"homenaje-a-pioneras-del-pop-art-latinoamericano","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2026\/04\/20\/homenaje-a-pioneras-del-pop-art-latinoamericano\/","title":{"rendered":"Homenaje a pioneras del pop art latinoamericano"},"content":{"rendered":"

Dos grandes retrospectivas acercan a la pintora colombiana Beatriz Gonz\u00e1lez y a la escultora venezolano-estadounidense Marisol Escobar al p\u00fablico internacional. La exposici\u00f3n de Gonz\u00e1lez se presenta actualmente en la Barbican Art Gallery de Londres hasta el 10 de mayo de 2026.<\/em><\/p>\n

\u00a0<\/em><\/p>\n

\"\"
La visita (1964), by French-Venezuelan artist Marisol<\/figcaption><\/figure>\n

Kennedy Ogenna<\/strong><\/span><\/p>\n

 <\/p>\n

La dupla que ayud\u00f3 a dar forma al movimiento Pop Art est\u00e1 recibiendo un reconocimiento internacional largamente postergado. Beatriz Gonz\u00e1lez, nacida en Bucaramanga (Colombia) en 1938, y Marisol Escobar, nacida en Par\u00eds en 1930 de padres venezolanos y fallecida en Nueva York en 2016, son las protagonistas de sendas retrospectivas que actualmente convocan al p\u00fablico en toda Europa.<\/p>\n

La exposici\u00f3n de Gonz\u00e1lez se presenta en la Barbican Art Gallery de Londres hasta el 10 de mayo de 2026.\u00a0Gonz\u00e1lez falleci\u00f3 en enero de 2026 a los 93 a\u00f1os, solo un mes antes de que se inaugurara su muestra en el Barbican.<\/strong>\u00a0La pintora alcanz\u00f3 la mayor\u00eda de edad durante La Violencia, el per\u00edodo de intenso conflicto pol\u00edtico que marc\u00f3 la Colombia de mediados del siglo XX. Formada inicialmente en la tradici\u00f3n cl\u00e1sica, inspir\u00e1ndose en Vermeer y Vel\u00e1zquez, m\u00e1s tarde adopt\u00f3 las im\u00e1genes de los medios de comunicaci\u00f3n como su principal fuente de material, utilizando colores audaces y figuras planas extra\u00eddas de peri\u00f3dicos y revistas para documentar la realidad social y pol\u00edtica de su pa\u00eds.<\/p>\n

Sus obras m\u00e1s reconocidas,\u00a0Los suicidas de Sisga I, II y III<\/em>\u00a0(1965), marcaron su ruptura definitiva con la pintura tradicional. La serie se inspir\u00f3 en una fotograf\u00eda de prensa de una joven pareja\u00a0que muri\u00f3 por suicidio tras lanzarse desde la represa de Sisga<\/a>, en las afueras de Bogot\u00e1.<\/p>\n

\"\"
\u00c1frica\u202fAdios\u202f(1968, detail), a portrait of Elizabeth II, by Colombian artist Beatriz Gonz\u00e1lez<\/figcaption><\/figure>\n

La mala calidad de reproducci\u00f3n de la imagen en los peri\u00f3dicos locales llam\u00f3 la atenci\u00f3n de Gonz\u00e1lez sobre la distorsi\u00f3n y simplificaci\u00f3n de la figura humana, aspectos que se volvieron centrales en su lenguaje visual.<\/p>\n

Gonz\u00e1lez ha descrito su pr\u00e1ctica como \u00abpintura subdesarrollada para pa\u00edses subdesarrollados\u00bb, una frase que resume su enfoque pol\u00edticamente comprometido y autocr\u00edtico del quehacer art\u00edstico en el contexto latinoamericano.<\/p>\n

El 27 de abril de 2026 se proyectar\u00e1 en el Barbican Cinema el documental\u00a0Beatriz Gonz\u00e1lez: \u00bfpor qu\u00e9 lloras?<\/em>, que ofrece al p\u00fablico una mirada m\u00e1s cercana a la vida y la obra de la artista.<\/p>\n

La segunda retrospectiva est\u00e1 dedicada a Marisol Escobar, la escultora venezolano-estadounidense que se convirti\u00f3 en una de las figuras m\u00e1s destacadas del mundo art\u00edstico neoyorquino durante la d\u00e9cada de 1960. Nacida como Mar\u00eda Sol Escobar en Par\u00eds en 1930, de padres venezolanos, Marisol pas\u00f3 gran parte de su vida formativa y profesional en Estados Unidos, donde desarroll\u00f3 una pr\u00e1ctica escult\u00f3rica singular que combinaba madera tallada y pintada con moldes de su propio cuerpo para crear obras figurativas a gran escala.\u00a0Su exposici\u00f3n individual de 1966 en la Sidney Janis Gallery de Nueva York atrajo a miles de visitantes, y su obra ingres\u00f3 en importantes colecciones institucionales, incluido el Museo de Arte Moderno.<\/p>\n

Tambi\u00e9n recibi\u00f3 importantes encargos p\u00fablicos, y una de sus esculturas est\u00e1 instalada de forma permanente en el Statuary Hall del Capitolio de Estados Unidos. A pesar de su prominencia durante el apogeo del movimiento Pop Art, la atenci\u00f3n cr\u00edtica a su apariencia y origen a menudo eclips\u00f3 la discusi\u00f3n sobre su obra.<\/p>\n

\"\"
Royal Family (1967), a sculpture by French-Venezuelan artist Marisol<\/figcaption><\/figure>\n

La retrospectiva de Marisol se exhibi\u00f3 en el Museo Louisiana de Dinamarca\u00a0del 1 de octubre de 2025 al 22 de febrero de 2026. La muestra viajar\u00e1 luego al Museo Boijmans Van Beuningen de R\u00f3terdam, donde abrir\u00e1 el 9 de octubre de 2026 y permanecer\u00e1 hasta el 29 de marzo de 2027.<\/p>\n

En conjunto, las dos exposiciones representan un momento significativo de reconocimiento institucional para las artistas latinoamericanas cuyas contribuciones al Pop Art siguen siendo hist\u00f3ricamente invaluables.<\/p>\n

Beatriz Gonz\u00e1lez<\/em>\u00a0se presenta en la Barbican Art Gallery de Londres hasta el 10 de mayo de 2026. La proyecci\u00f3n del documental\u00a0Beatriz Gonz\u00e1lez: \u00bfpor qu\u00e9 lloras?<\/em>\u00a0tendr\u00e1 lugar en el Barbican Cinema el 27 de abril de 2026.\u00a0Marisol: una retrospectiva<\/em>\u00a0abre sus puertas en el Museo Boijmans Van Beuningen de R\u00f3terdam el 9 de octubre de 2026.<\/p>\n

Mas infrmaci\u00f3n: Museum Boijmans Van Beuningen<\/a>\u00a0 y Barbican Art Gallery<\/a>.<\/p>\n

(Traducido por Camila Marquez)<\/strong> – Fotos suministradas por Argentine Film Festival London<\/a><\/em><\/span><\/p>\n

\"\"
The Sisga Suicides (1965), by Colombian artist Beatriz Gonzalez.<\/figcaption><\/figure>\n
\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Dos grandes retrospectivas acercan a la pintora colombiana Beatriz Gonz\u00e1lez y a la escultora venezolano-estadounidense Marisol Escobar al p\u00fablico internacional. La exposici\u00f3n de Gonz\u00e1lez se presenta actualmente en la Barbican Art Gallery de Londres hasta el 10 de mayo de 2026. \u00a0 Kennedy Ogenna   La dupla que ayud\u00f3 a […]<\/p>\n","protected":false},"author":9,"featured_media":291565,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,39],"tags":[],"class_list":["post-291559","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-plastica"],"yoast_head":"\nHomenaje a pioneras del pop art latinoamericano - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/2026\/04\/20\/retrospectives-honour-latin-american-pop-art-pioneers\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Homenaje a pioneras del pop art latinoamericano %\" \/>\n<meta property=\"og:description\" content=\"Dos grandes retrospectivas acercan a la pintora colombiana Beatriz Gonz\u00e1lez y a la escultora venezolano-estadounidense Marisol Escobar al p\u00fablico internacional. 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