{"id":292335,"date":"2026-05-18T00:23:50","date_gmt":"2026-05-17T23:23:50","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=292335"},"modified":"2026-05-16T14:41:03","modified_gmt":"2026-05-16T13:41:03","slug":"50-anos-de-argentina-en-el-cine-2","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2026\/05\/18\/50-anos-de-argentina-en-el-cine-2\/","title":{"rendered":"50 a\u00f1os de Argentina en el cine"},"content":{"rendered":"

El cine como ajuste de cuentas 5 d\u00e9cadas despu\u00e9s de la Guerra Sucia.<\/em><\/strong>\u00a0Mientras el presidente Milei\u00a0<\/em>se toma autofotos con Netanyahu<\/a><\/em>, una temporada de pel\u00edculas reflexiona sobre las cinco d\u00e9cadas que han llevado a Argentina hasta donde est\u00e1 hoy.<\/em><\/p>\n

 <\/p>\n

\"\"<\/a>Abla Kandalaft<\/strong>\u00a0\/\u00a0<\/span>The Canary<\/span><\/strong><\/a><\/p>\n

 <\/p>\n

La guerra sucia y sus consecuencias<\/strong><\/p>\n

La Temporada de Cine Argentino en The Garden Cinema conmemora el 50 aniversario del golpe militar del 24 de marzo de 1976, patrocinado por Estados Unidos. Ese d\u00eda, las fuerzas armadas derrocaron a un gobierno elegido democr\u00e1ticamente e instalaron una dictadura. Esto fue parte de la guerra contra el comunismo en Am\u00e9rica Latina del secretario de Estado estadounidense Henry Kissinger. El r\u00e9gimen militar desat\u00f3 una \u00abGuerra Sucia\u00bb durante la cual desaparecieron 30.000 personas. Los militares ejecutaron y encarcelaron a muchos, y forzaron a otros al exilio. Adem\u00e1s, la dictadura fractur\u00f3 la sociedad civil y desmantel\u00f3 sindicatos y movimientos sociales. Su fin en 1983 dio paso a pol\u00edticas econ\u00f3micas neoliberales que exacerbaron las desigualdades. Avancemos hasta 2026 y Milei est\u00e1 desregulando\u00a0leyes laborales<\/a>\u00a0y recortando\u00a0derechos ambientales<\/a>.<\/p>\n

Adem\u00e1s, en las d\u00e9cadas siguientes, la omert\u00e1 que rode\u00f3 a ese per\u00edodo tuvo duraderas consecuencias legales y psicol\u00f3gicas. Los esfuerzos oficiales por lograr justicia han sido irregulares. El primer gobierno posdictadura tom\u00f3 medidas iniciales, como el Juicio a las Juntas. Sin embargo, se aprobaron\u00a0leyes posteriores<\/a>\u00a0para apaciguar a los militares que limitaron esas iniciativas. Fueron sobre todo activistas y organizaciones civiles quienes buscaron activamente justicia para los \u00abdesaparecidos<\/em>\u00ab. Grupos como\u00a0las Madres de Plaza de Mayo<\/a>\u00a0lucharon durante toda la Guerra Sucia y desde el retorno del pa\u00eds a la democracia en 1983 para revelar la verdad sobre su destino. Y ahora, 50 a\u00f1os despu\u00e9s, Milei est\u00e1\u00a0restando importancia activamente<\/a>\u00a0a las atrocidades y desmantelando los esfuerzos por preservar la memoria hist\u00f3rica.<\/p>\n

\"\"<\/strong>En marzo,\u00a0un grupo de expertos de la ONU<\/a>\u00a0advirti\u00f3 sobre \u00abretrocesos alarmantes\u00bb en el compromiso del pa\u00eds con la memorializaci\u00f3n y la justicia: \u00abAunque ha habido oscilaciones y vac\u00edos, durante d\u00e9cadas el pa\u00eds ha logrado importantes avances en la lucha contra la impunidad y para garantizar los derechos a la verdad y la memoria. […] Desafortunadamente, hoy vemos un r\u00e1pido deterioro del liderazgo global de Argentina en esta \u00e1rea\u00bb.<\/p>\n

Argentina: el cine como v\u00e1lvula de escape<\/strong><\/p>\n

Sin embargo, en esas d\u00e9cadas, el cine argentino resurgi\u00f3 con una fuerza extraordinaria, enfrentando el trauma de aquellos a\u00f1os. El programa muestra las complejas maneras en que la sociedad argentina ha lidiado con las consecuencias de la dictadura. Tambi\u00e9n ofrecen un relato matizado del posterior y siempre cambiante panorama socioecon\u00f3mico. Articulan tab\u00faes, frustraciones y cuestiones demasiado ausentes en la pol\u00edtica y los medios, desde la falta de rendici\u00f3n de cuentas hasta los derechos de la poblaci\u00f3n ind\u00edgena de Argentina.<\/p>\n

\"\"<\/a>La temporada se abre con la proyecci\u00f3n del hilarante \u00e9xito de antolog\u00eda\u00a0\u00abRelatos salvajes\u00bb<\/em>\u00a0(\u00abWild tales\u00bb<\/em><\/a>). Su impacto cultural en el pa\u00eds fue tal que los nombres de los personajes entraron en la jerga cotidiana. El \u00abBombita\u00bb de Ricardo Dar\u00edn se convirti\u00f3 en un atajo para referirse a alguien que enfurece contra los excesos burocr\u00e1ticos. Los periodistas retomaron su representaci\u00f3n de personas que se rebelan contra un sistema roto para criticar a las autoridades. Dar\u00edn tambi\u00e9n protagoniza otras dos pel\u00edculas. Es un estafador en el cl\u00e1sico de robos con giros\u00a0\u00abNueve reinas\u00bb<\/em><\/a>\u00a0y un asesor jur\u00eddico jubilado en la ganadora del \u00d3scar\u00a0\u00abEl secreto de sus ojos\u00bb<\/em><\/a>. Un thriller altamente pulido y con un guion ajustado, la pel\u00edcula reflexiona sobre tres d\u00e9cadas de inmunidad militar y violencia patrocinada por el Estado.<\/p>\n

Alegor\u00eda de la guerra<\/strong><\/p>\n

Es una de una serie de pel\u00edculas que abordaron la Guerra Sucia \u00abalegorizando\u00bb la violencia mediante tropos del g\u00e9nero cinematogr\u00e1fico tomados del terror, el crimen y la comedia. Incluyen el (recientemente fallecido) Luis Puenzo con\u00a0\u00abLa historia oficial\u00bb<\/em><\/a>, que aborda la situaci\u00f3n de los desaparecidos a trav\u00e9s de un relato ficticio de una madre que sospecha que su hijo adoptado pudo haber sido secuestrado al nacer.<\/p>\n

\"\"<\/a> La galardonada s\u00e1tira del cine dentro del cine\u00a0\u00abLa Pel\u00edcula del Rey\u00bb<\/em><\/a>\u00a0permite al director Carlos Sorin trazar una l\u00ednea desde la violencia colonial hasta la violencia actual patrocinada por el Estado. Del mismo modo, la fascinante alegor\u00eda de Lucrecia Martel\u00a0\u00abZama\u00bb<\/em><\/a>\u00a0refleja el trauma subyacente del legado colonial del pa\u00eds y la disfunci\u00f3n burocr\u00e1tica.<\/p>\n

La temporada se extiende del 8 de mayo al 19 de junio. Para la programaci\u00f3n completa, visite\u00a0The Garden Cinema<\/a>.<\/p>\n

*<\/strong>Art\u00edculo\u00a0publicado originalmente en The Canary<\/a>.<\/p>\n

(Traducido por The prisma \u2013 The Multicultural Newspaper)<\/strong> – Fotos: Pexels y Pixabay<\/em><\/span><\/p>\n

 <\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

El cine como ajuste de cuentas 5 d\u00e9cadas despu\u00e9s de la Guerra Sucia.\u00a0Mientras el presidente Milei\u00a0se toma autofotos con Netanyahu, una temporada de pel\u00edculas reflexiona sobre las cinco d\u00e9cadas que han llevado a Argentina hasta donde est\u00e1 hoy.   Abla Kandalaft\u00a0\/\u00a0The Canary   La guerra sucia y sus consecuencias La […]<\/p>\n","protected":false},"author":9,"featured_media":292502,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,24,14,7],"tags":[],"class_list":["post-292335","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cinema","category-cultura","category-en-foco","category-opinion"],"yoast_head":"\n50 a\u00f1os de Argentina en el cine - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/2026\/05\/18\/50-years-of-argentina-on-film-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"50 a\u00f1os de Argentina en el cine\" \/>\n<meta property=\"og:description\" content=\"El cine como ajuste de cuentas 5 d\u00e9cadas despu\u00e9s de la Guerra Sucia. 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