{"id":292690,"date":"2026-06-01T00:25:45","date_gmt":"2026-05-31T23:25:45","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=292690"},"modified":"2026-05-28T04:28:39","modified_gmt":"2026-05-28T03:28:39","slug":"arte-de-resistencia-ecofeminista","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2026\/06\/01\/arte-de-resistencia-ecofeminista\/","title":{"rendered":"Arte de resistencia ecofeminista"},"content":{"rendered":"

Desde sus d\u00edas como asistente de Graciela Iturbide \u2014y ahora su heredera art\u00edstica\u2014\u00a0<\/em>Maya Goded<\/em><\/a>\u00a0se ha convertido en una figura clave de la fotograf\u00eday el cine documental mexicano. \u00abEl rastro de la serpiente\u00bb, una publicaci\u00f3n preciosa y est\u00e9ticamente placentera, es una obra de memoria y resistencia.<\/em><\/p>\n

 <\/p>\n

\"\"
Foto de Maya Goded.<\/figcaption><\/figure>\n

Sean Sheehan<\/strong><\/span><\/p>\n

 <\/p>\n

Goded, al fotografiar a mujeres, a menudo de comunidades ind\u00edgenas y a menudo como v\u00edctimas de violencia que han quedado marginadas, relaciona su proyecto con su propia historia de vida.<\/p>\n

El a\u00f1o de nacimiento de su madre, 1945, fue testigo del primer uso de armas nucleares \u2014marcando la llegada del Antropoceno\u2014 y diecinueve a\u00f1os despu\u00e9s su madre huye para escapar de la violencia de g\u00e9nero dentro de su familia. El refugio que encontr\u00f3 en comunidades ind\u00edgenas se replica en la fotograf\u00eda que su hija hace de mujeres de esas comunidades a lo largo de cinco a\u00f1os de viajes.\u00a0Su viaje comenz\u00f3 a pie en M\u00e9xico en 2018, caminando por su tierra para llegar a Nuevo M\u00e9xico y continuando, como ella dice, \u00aba trav\u00e9s del tri\u00e1ngulo del litio, desde el desierto chileno hasta la comunidad minera boliviana\u00bb. Su trabajo result\u00f3 en una instalaci\u00f3n de video y esto finalmente condujo a su libro\u00a0\u00abEl rastro de la serpiente\u00bb<\/em>, una edici\u00f3n limitada de 1000 ejemplares.<\/p>\n

Goded forja un v\u00ednculo entre las heridas infligidas por los hombres a las mujeres y la violencia ecol\u00f3gica infligida a la tierra por un orden patriarcal.<\/p>\n

\"\"
Foto de Maya Goded.<\/figcaption><\/figure>\n

El motivo de la serpiente se transforma del agente b\u00edblico del enga\u00f1o que extrav\u00eda a Eva en un signo de sabidur\u00eda femenina, reivindicando el valor ancestral de la criatura como s\u00edmbolo de regeneraci\u00f3n y vida.<\/p>\n

Esto se explora en el ensayo \u00abMujer, Tierra y la serpiente\u00bb de \u00c1ngeles Alonso Espinosa, que se encuentra en uno de los tres folletos entrelazados que se unen dentro de la carpeta que conforman\u00a0\u00abEl rastro de la serpiente\u00bb<\/em>.<\/p>\n

El ensayo de Espinosa, como las otras contribuciones de este folleto, est\u00e1 en espa\u00f1ol e ingl\u00e9s, y las ilustraciones a lo largo de la obra surgen de la sugerencia de la imagen de la serpiente como una forma de vida capaz de reconstituirse mudando su piel. Las heridas pueden sanar, la piel nueva reemplaza a la vieja, a trav\u00e9s del apoyo mutuo y la solidaridad.<\/p>\n

Los otros dos folletos consisten en la fotograf\u00eda de Goded, que serpentea a trav\u00e9s de lo humano, lo natural y el mundo de la miner\u00eda, con breves pasajes de su propia prosa. Describe su encuentro con Sonia en el desierto de Atacama, una mujer que la ayuda a reorientar su trabajo. Ya no piensa en su c\u00e1mara como un mero medio para validar la realidad, sino que comienza a usarla para explorar lo intangible: \u00abaceptar lo fortuito de la vida y la muerte. Aprend\u00ed a vivir en el vac\u00edo. No me reconozco\u00bb.<\/p>\n

\"\"
Foto de Maya Goded.<\/figcaption><\/figure>\n

Fotograf\u00edas familiares \u2014su padre en prisi\u00f3n y su madre\u2014 a\u00f1aden un nivel de intimidad que une la exploraci\u00f3n multifac\u00e9tica de Goded sobre la violencia y la sanaci\u00f3n: \u00abA medida que mi madre envejec\u00eda, la vi mudar su piel por \u00faltima vez\u2026 fue capaz de recuperarse dej\u00e1ndose llevar por el disfrute, la amistad y luego la muerte\u00bb.<\/p>\n

\u00abEl rastro de la serpiente\u00bb<\/em>\u00a0de Maya Goded se distribuye a trav\u00e9s de\u00a0Editorial RM<\/a>.<\/p>\n

(Fotos facilitadas por la editorial)<\/em><\/span><\/p>\n

 <\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Desde sus d\u00edas como asistente de Graciela Iturbide \u2014y ahora su heredera art\u00edstica\u2014\u00a0Maya Goded\u00a0se ha convertido en una figura clave de la fotograf\u00eday el cine documental mexicano. \u00abEl rastro de la serpiente\u00bb, una publicaci\u00f3n preciosa y est\u00e9ticamente placentera, es una obra de memoria y resistencia.   Sean Sheehan   Goded, […]<\/p>\n","protected":false},"author":9,"featured_media":292691,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-292690","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"\nArte de resistencia ecofeminista - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/2026\/06\/01\/ecofeminist-art-of-resistance\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Arte de resistencia ecofeminista\" \/>\n<meta property=\"og:description\" content=\"Desde sus d\u00edas como asistente de Graciela Iturbide \u2014y ahora su heredera art\u00edstica\u2014 Maya Goded se ha convertido en una figura clave de la fotograf\u00eda y el cine documental mexicano. 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