{"id":293003,"date":"2026-06-15T00:25:13","date_gmt":"2026-06-14T23:25:13","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=293003"},"modified":"2026-06-15T18:35:55","modified_gmt":"2026-06-15T17:35:55","slug":"vidas-en-silencio-desesperadas","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2026\/06\/15\/vidas-en-silencio-desesperadas\/","title":{"rendered":"Vidas en silencio desesperadas"},"content":{"rendered":"

Llevar al teatro una novela de <\/span>Barbara Pym<\/span><\/a>\u00a0parece una idea obvia ahora que se ha logrado con tanto \u00e9xito en el Arcola theatre de Londres.<\/span><\/em><\/p>\n

 <\/p>\n

\"\"
Anthony Calf, Paul Rider\u00a0 y Kate Duch\u00eane. Foto de Manuel Harlan.<\/figcaption><\/figure>\n

Sean Sheehan<\/span><\/strong><\/span><\/p>\n

 <\/p>\n

La producci\u00f3n termina el 20 de junio, de forma que hay que verla esta semana para disfrutar del retrato profundamente conmovedor, mas nunca sensiblero, que hace Pym de la vida de cuatro oficinistas al final de la mediana edad.<\/span><\/p>\n

Los cuatro trabajadores tienen poco en com\u00fan aparte de su lugar de empleo y sus vidas de solteros que, de maneras muy diferentes, los llevan a aceptar el no tener pareja ni un amigo \u00edntimo. Uno de ellos, Edwin, es viudo y encuentra consuelo en su parroquia. <\/span>\u00c9l sabe que se supone que el tiempo que pasa m\u00e1s r\u00e1pido a medida que uno envejece, pero los diez a\u00f1os desde que muri\u00f3 su esposa, observa, nunca hab\u00edan pasado tan despacio.\u00a0<\/span>Su melanc\u00f3lico compa\u00f1ero Norman nunca se cas\u00f3 y se ha resignado a su vida solitaria, protegi\u00e9ndose de la soledad con un ingenio mordaz y sarc\u00e1stico. Sus bromas y su coqueteo apenas disimulado con la fr\u00eda Marcia no son algo que ella pueda permitirse corresponder, por lo que se comporta como si careciera de sentido del humor. Al igual que la otra mujer de su lugar de trabajo, Letty, su jubilaci\u00f3n es inminente y entonces ambas se enfrentar\u00e1n a un futuro incierto.<\/p>\n

\"\"
Kate Duch\u00eane como Letty. Foto de Manuel Harlan..<\/figcaption><\/figure>\n

Pronto nos damos cuenta de que Marcia tiene una vida imaginaria que atesora en secreto, pero que no puede protegerla de las penas personales que est\u00e1n afectando a su capacidad para salir adelante; el trabajo le ha proporcionado una estructura de rutinas para salir adelante, pero esto est\u00e1 llegando a su fin. <\/span><\/p>\n

De las cuatro, Letty es la que nos hace sentir m\u00e1s simpat\u00eda por ella y compartimos su angustia existencial, al tiempo que envidiamos su reserva de fortaleza y su capacidad para no sucumbir a la desesperaci\u00f3n de la depresi\u00f3n. Sus expresiones faciales, que van desde el asombro desconcertado hasta la angustia m\u00e1s absoluta, transmiten lo que las palabras a menudo no logran no logran transmitir.\u00a0<\/span>La novela de Pym,\u00a0<\/span>\u00abCuarteto de oto\u00f1o\u00bb<\/span><\/em>, transcurre en un Londres de hace medio siglo, pero los quejidos cotidianos de sus personajes no son ajenos a las preocupaciones contempor\u00e1neas: no est\u00e1n bien pagados, sus trabajos no son esenciales, y rezongar es una forma de lidiar con la falta de sentido de su trabajo y de la vida en general.<\/span><\/p>\n

La primera mitad de esta dramatizaci\u00f3n concluye con la jubilaci\u00f3n de Marcia y Letty; despu\u00e9s del intermedio, Edwin y Norman siguen trabajando mientras descubrimos c\u00f3mo est\u00e1n sobrellevando la situaci\u00f3n las dos mujeres. <\/span><\/p>\n

\"\"
Anthony Calf, Pooky Quesnel y Kate Duch\u00eane. Foto de Manuel Harlan.<\/figcaption><\/figure>\n

Lo que sigue para los cuatro es una combinaci\u00f3n de esperanzas frustradas, callejones sin salida emocionales, conversaciones que ocultan mucho m\u00e1s de lo que revelan y \u2014esto es lo que sostiene el drama de la segunda mitad\u2014 una sorpresa que, en retrospectiva, no sorprende en absoluto.<\/span><\/p>\n

Dise\u00f1o de escenario, vestuario, direcci\u00f3n e interpretaci\u00f3n se entrelazan maravillosamente en esta magn\u00edfica y h\u00e1bil adaptaci\u00f3n de la novela de Pym.\u00a0<\/span>\u00abCuarteto de oto\u00f1o\u00bb<\/span><\/em>\u00a0se representa en el\u00a0<\/span>Arcola theatre<\/span><\/a>\u00a0hasta el 20 de junio.<\/span><\/p>\n

(Traducido por Monica del Pilar Uribe) <\/span><\/strong><\/span>– Im\u00e1genes cedidas por el <\/span>Arcola theatre.<\/span><\/span><\/a><\/em><\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Llevar al teatro una novela de Barbara Pym\u00a0parece una idea obvia ahora que se ha logrado con tanto \u00e9xito en el Arcola theatre de Londres.   Sean Sheehan   La producci\u00f3n termina el 20 de junio, de forma que hay que verla esta semana para disfrutar del retrato profundamente conmovedor, […]<\/p>\n","protected":false},"author":9,"featured_media":293007,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-293003","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"\nVidas en silencio desesperadas - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/es\/2026\/06\/15\/vidas-en-silencio-desesperadas\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vidas en silencio desesperadas\" \/>\n<meta property=\"og:description\" content=\"Llevar al teatro una novela de\u00a0Barbara Pym\u00a0parece una idea obvia ahora que se ha logrado con tanto \u00e9xito en el Arcola theatre de Londres.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theprisma.co.uk\/es\/2026\/06\/15\/vidas-en-silencio-desesperadas\/\" \/>\n<meta property=\"og:site_name\" content=\"ThePrisma.co.uk\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper\" \/>\n<meta property=\"article:published_time\" content=\"2026-06-14T23:25:13+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-06-15T17:35:55+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/06\/L-to-R-Anthony-Calf-Pooky-Quesnel-and-Kate-Duchene-Photo-credit-by-Manuel-Harlan-02.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"990\" \/>\n\t<meta property=\"og:image:height\" content=\"743\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"ThePrisma\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"3\" \/>\n<meta name=\"twitter:creator\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:site\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"ThePrisma\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2026\\\/06\\\/15\\\/vidas-en-silencio-desesperadas\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2026\\\/06\\\/15\\\/vidas-en-silencio-desesperadas\\\/\"},\"author\":{\"name\":\"ThePrisma\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\"},\"headline\":\"Vidas en silencio desesperadas\",\"datePublished\":\"2026-06-14T23:25:13+00:00\",\"dateModified\":\"2026-06-15T17:35:55+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2026\\\/06\\\/15\\\/vidas-en-silencio-desesperadas\\\/\"},\"wordCount\":625,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2026\\\/06\\\/15\\\/vidas-en-silencio-desesperadas\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/L-to-R-Anthony-Calf-Paul-Rider-and-Kate-Duchene-Photo-credit-by-Manuel-Harlan-1241.jpg\",\"articleSection\":[\"Cultura\",\"En Foco\",\"Opini\u00f3n\",\"P\u00e1ginas\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2026\\\/06\\\/15\\\/vidas-en-silencio-desesperadas\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2026\\\/06\\\/15\\\/vidas-en-silencio-desesperadas\\\/\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/es\\\/2026\\\/06\\\/15\\\/vidas-en-silencio-desesperadas\\\/\",\"name\":\"Vidas en silencio desesperadas - 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