{"id":293873,"date":"2026-07-27T00:25:29","date_gmt":"2026-07-26T23:25:29","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=293873"},"modified":"2026-07-24T12:17:41","modified_gmt":"2026-07-24T11:17:41","slug":"la-gramatica-de-la-fotografia","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2026\/07\/27\/la-gramatica-de-la-fotografia\/","title":{"rendered":"La gram\u00e1tica de la fotograf\u00eda"},"content":{"rendered":"

\u00abShort stories on a long theme\u00bb, de Edita Liessner, es un fotolibro que da gusto hojear y el agradable toque l\u00fadico de su t\u00edtulo contribuye a su atractivo. <\/em><\/p>\n

 <\/p>\n

\"\"<\/em>Sean Sheehan<\/strong><\/span><\/p>\n

\u00a0<\/strong><\/p>\n

Sus fotograf\u00edas son de dos tipos muy distintos: composiciones geom\u00e9tricas y coloridas, y escenas de la vida cotidiana. No resulta evidente de inmediato el motivo por el que se han reunido en un solo libro.<\/p>\n

Una fotograf\u00eda puede ser entendida como un relato muy breve: un instante en el tiempo, abierto a la interpretaci\u00f3n. El relato breve por excelencia, en este sentido, ser\u00edan las im\u00e1genes de \u00e1tomos \u2014part\u00edculas con un grosor aproximado al de una millon\u00e9sima parte de un cabello humano\u2014 que interact\u00faan en su propio espacio cu\u00e1ntico. Tales im\u00e1genes ya existen, como se puede ver en esta<\/a> de Science Blog<\/em>, que muestra unas part\u00edculas subat\u00f3micas llamadas fermiones, que tienden a evitarse entre s\u00ed, junto a otro tipo (los bosones) que tienden a agruparse.<\/p>\n

\"\"<\/strong>Los fermiones guardan un parecido sorprendente con algunos de los patrones geom\u00e9tricos que fotograf\u00eda Liessner, mientras que sus escenas de comportamiento humano evocan a los bosones por c\u00f3mo sugieren una receptividad hacia el encuentro: dos personas en un restaurante, una mujer vestida para salir o en compa\u00f1\u00eda de otras, un ni\u00f1o y un adulto que caminan cogidos de la mano por la acera.<\/p>\n

Si estos tipos de im\u00e1genes tan dispares son \u00abrelatos breves\u00bb, el \u00abtema extenso\u00bb es lo que dicha confluencia de opuestos podr\u00eda indicar. \u00bfEs la dial\u00e9ctica de la sociabilidad y la separaci\u00f3n la que impregna tanto nuestra existencia humana como el mundo no humano de la mec\u00e1nica cu\u00e1ntica?<\/p>\n

Caracter\u00edstica de ambos mundos es la constataci\u00f3n de que lo que se conoce se ve afectado por la posici\u00f3n desde la que se conoce. En f\u00edsica cu\u00e1ntica es imposible conocer simult\u00e1neamente la posici\u00f3n y la velocidad de una part\u00edcula; en el comportamiento humano, nos sentimos atra\u00eddos por algunas personas y repelidos por otras.<\/p>\n

La geometr\u00eda pura que configura los objetos en el espacio coexiste con la necesidad de incluir al observador en lo observado. Este entrelazamiento de significado y materia, cuando los fil\u00f3sofos lo analizan, recibe el nombre espec\u00edfico de fenomenolog\u00eda. Liessner retrata la forma en que un fen\u00f3meno adquiere significado a trav\u00e9s de otro fen\u00f3meno, una extra\u00f1a gram\u00e1tica que los re\u00fane, pero solo por v\u00eda del azar y las circunstancias.<\/p>\n

\"\"<\/strong>Sus fotograf\u00edas muestran una diferencia pura en una dimensi\u00f3n geom\u00e9trica, pero en una en la que brotan el significado y las conexiones.<\/p>\n

Esto no es abstracci\u00f3n ni de arte conceptual por el arte mismo \u2014actualmente el alfa y el omega de la fotograf\u00eda art\u00edstica\u2014, sino, m\u00e1s bien, la evocaci\u00f3n de la contingencia y la casualidad.<\/p>\n

Es tan acertado como importante que no se utilicen palabras en \u00abShort stories on a long theme\u00bb<\/em>. No hay pies de foto para las im\u00e1genes individuales, ni etiquetas que indiquen c\u00f3mo deben presentarse: las historias capturadas y el tema extenso al que dan expresi\u00f3n solo existen fotogr\u00e1ficamente.\u00a0Un pie de foto normal no puede dar cuenta de esa gram\u00e1tica. Hay un exceso en cada foto, un potencial de interpretaci\u00f3n que no puede anunciarse de antemano.<\/p>\n

\u00abShort stories on a long theme\u00bb<\/em>, de Edita Liessner, es publicado por Lost Light Books<\/a>.<\/p>\n

(Traducido por Lidia Pintos Medina)\u00a0<\/strong> –\u00a0 Fotograf\u00edas suministradas por la editorial)<\/em><\/span><\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

\u00abShort stories on a long theme\u00bb, de Edita Liessner, es un fotolibro que da gusto hojear y el agradable toque l\u00fadico de su t\u00edtulo contribuye a su atractivo.   Sean Sheehan \u00a0 Sus fotograf\u00edas son de dos tipos muy distintos: composiciones geom\u00e9tricas y coloridas, y escenas de la vida cotidiana. […]<\/p>\n","protected":false},"author":9,"featured_media":293880,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-293873","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"\nLa gram\u00e1tica de la fotograf\u00eda - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/2026\/07\/27\/photographys-grammar\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La gram\u00e1tica de la fotograf\u00eda\" \/>\n<meta property=\"og:description\" content=\""Short stories on a long theme", de Edita Liessner, es un fotolibro que da gusto hojear, y el agradable toque l\u00fadico de su t\u00edtulo contribuye a su atractivo.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theprisma.co.uk\/2026\/07\/27\/photographys-grammar\/\" \/>\n<meta property=\"og:site_name\" content=\"ThePrisma.co.uk\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper\" \/>\n<meta property=\"article:published_time\" content=\"2026-07-26T23:25:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/07\/Phootos-suplied-by-publisher-EditaLiessner-3.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1431\" \/>\n\t<meta property=\"og:image:height\" content=\"953\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"ThePrisma\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"3\" \/>\n<meta name=\"twitter:creator\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:site\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"ThePrisma\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/2026\\\/07\\\/27\\\/photographys-grammar\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/2026\\\/07\\\/27\\\/photographys-grammar\\\/\"},\"author\":{\"name\":\"ThePrisma\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\"},\"headline\":\"La gram\u00e1tica de la fotograf\u00eda\",\"datePublished\":\"2026-07-26T23:25:29+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/2026\\\/07\\\/27\\\/photographys-grammar\\\/\"},\"wordCount\":610,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/2026\\\/07\\\/27\\\/photographys-grammar\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/Phootos-FEAT-suplied-by-publisher-EditaLiessner-2.jpg\",\"articleSection\":[\"Cultura\",\"En Foco\",\"Opini\u00f3n\",\"P\u00e1ginas\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/2026\\\/07\\\/27\\\/photographys-grammar\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/2026\\\/07\\\/27\\\/photographys-grammar\\\/\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/2026\\\/07\\\/27\\\/photographys-grammar\\\/\",\"name\":\"La gram\u00e1tica de la fotograf\u00eda - 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