{"id":294521,"date":"2026-08-24T00:22:14","date_gmt":"2026-08-23T23:22:14","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=294521"},"modified":"2026-08-23T06:11:01","modified_gmt":"2026-08-23T05:11:01","slug":"artway-mark-gertler-1916-merry-go-round","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2026\/08\/24\/artway-mark-gertler-1916-merry-go-round\/","title":{"rendered":"ArtWay: Mark Gertler (1916), \u00abMerry-go-round\u00bb"},"content":{"rendered":"

Entre m\u00e1s se analiza este \u00f3leo sobre lienzo de 1916, obra del artista pacifista jud\u00edo Mark Gertler (1891-1939), resulta m\u00e1s inquietante. Sin embargo, en \u00e9l Gertler tiene mucho que decir que resulta desafiante y valioso para los cristianos. De hecho, esta obra debe inquietar, y esa fue sin duda la intenci\u00f3n de Gertler.<\/em><\/p>\n

 <\/p>\n

\"\"
Merry-Go-Round<\/i> (1916), de Mark Gertler. Foto: Dominio P\u00fablico.<\/figcaption><\/figure>\n

Nigel Pocock<\/span><\/strong><\/p>\n

 <\/p>\n

Tal vez a Donald Trump le habr\u00eda convenido meditar sobre su mensaje antes de su ataque contra Ir\u00e1n, y antes de publicar aquella infame imagen suya en la que parec\u00eda interpretar el papel de Jes\u00fas. Lo mismo cabr\u00eda decir del se\u00f1or Putin. Otros tiranos, de entonces y de ahora, tambi\u00e9n deber\u00edan detenerse a reflexionar. Porque este cuadro encierra una advertencia para todos nosotros.<\/p>\n

La Gran Guerra se hallaba en su cuarto y horrendo a\u00f1o. Miles y miles de hombres sacrificaban sus vidas por una guerra que apenas comprend\u00edan. \u00bfNo eran todos ellos, al fin y al cabo, simples ‘PBIs’ (Poor Bloody Infantry, \u201cpobre infanter\u00eda maldita\u201d)? Carne de sacrificio. Un acto de locura in\u00fatil, sobre el que Paul Nash volc\u00f3 su desprecio, \u00abmaldiciendo [a los generales y pol\u00edticos] esas almas miserables\u00bb, que quer\u00edan que la guerra durara para siempre. Entonces, como ahora.<\/p>\n

No existe nada \u2018alegre\u2019 en el \u201cMerry-go-round\u201d. Es todo lo contrario. Aqu\u00ed no hay alegr\u00eda. No hay ni\u00f1os en el tiovivo. Todos los pasajeros parecen paralizados; sus bocas abiertas no emiten sonido alguno, ninguna palabra sale de ellas. Ni un solo grito. En cada fila del tiovivo hay un oficial militar y un bur\u00f3crata, quiz\u00e1 un funcionario del Ministerio de Guerra. A estas personas las acompa\u00f1an sus seguidores, casi todos ellos mujeres. ‘Disfrutando’ del paseo. Y, sin embargo, ninguno puede bajarse. El tiovivo los tiene en su poder; empuja a estos pasajeros sin cesar, sin sonido, sin protesta alguna. Los arrastra consigo, y ellos no tienen poder sobre la m\u00e1quina, esa m\u00e1quina que facilita e impulsa la guerra, con miles de muertos. Los poderosos permanecen a salvo en sus despachos, dirigiendo estas muertes bien lejos de las trincheras. Entonces, como ahora.<\/p>\n

\"\"
Fascism. Foto de Henrik Str\u00f6m \/Flickr<\/a>. Creative Commons License<\/a>.<\/figcaption><\/figure>\n

En el momento de escribir estas l\u00edneas, la Towner Gallery (Eastbourne, Reino Unido) est\u00e1 comisariando la muestra Comrades in art: artists against fascism (1933-1943)<\/em>.<\/p>\n

Como bien se ha dicho, una \u201cadvertencia desde la historia\u201d. Se trata de una exposici\u00f3n muy reveladora y oportuna.<\/p>\n

La AIA (Artists’ International Association) fue la principal protagonista, reuniendo una amplia gama de posiciones ideol\u00f3gicas, todas unidas en su deseo de combatir (por lo general de forma no violenta) el fascismo en todas sus formas, una causa tras la cual nosotros, como cristianos, debemos unirnos. Nadie deber\u00eda tolerar la tiran\u00eda. Es precisamente cuando tales abusos ocurren, como reza la c\u00e9lebre frase, \u201ccuando la gente buena no hace nada\u201d, por peque\u00f1o que sea el gesto, incluido el autor de este texto. Entonces, como ahora.<\/p>\n

En el Merry-go-round<\/em>, Gertler no ofrece ninguna respuesta. Simplemente se\u00f1ala el problema: la par\u00e1lisis ante el mal abrumador. Los cristianos deben responder con una respuesta; de lo contrario, veremos perecer a miles en guerras de violencia, destrucci\u00f3n y terror. Tenemos un Salvador, quien nos ense\u00f1\u00f3 a \u00abamar a nuestros enemigos\u00bb y, sencillamente, nos pide (sin intimidarnos) que \u00ablo sigamos\u00bb. Como artistas, atendamos a este llamado. Entonces, como ahora.<\/p>\n

\"\"Nigel Pocock<\/em> (MPhil, Trinity St. David’s) estudi\u00f3 primero en el Salisbury College of Art, y despu\u00e9s en las Universidades de Greenwich y de Gales.<\/p>\n

Es investigador especializado en Historia Negra y ha pasado quince a\u00f1os excavando en un cementerio moravo, donde descubri\u00f3 la l\u00e1pida de la esclava antiguana Leonora Carr, y las historias de sus compatriotas, las hermanas Briggs.<\/p>\n

Su principal trabajo actual consiste en investigar a la artista surinamesa Harriet Maynard (1849-1906), hija de una esclava y de un terrateniente blanco anglo-neerland\u00e9s.<\/p>\n

Nigel ha expuesto en la Embankment Gallery (Londres) y, m\u00e1s recientemente, en el Titanic Centre de Belfast. Colabor\u00f3 en el cat\u00e1logo de la Bienal de Venecia dedicado a Antigua y ha colaborado con la Alta Comisi\u00f3n de Antigua.<\/p>\n

Es miembro de la Forest Hill Community Church y dirige, junto con su esposa Corinne \u2014graduada del Newton Abbot College of Art, donde estudi\u00f3 con Dame Barbara Hepworth\u2014, un servicio de atenci\u00f3n sin cita previa.<\/p>\n

(Traducido por M\u00f3nica del Pilar Uribe Marin)<\/strong> – Fotos: Pixabay<\/em><\/span><\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Entre m\u00e1s se analiza este \u00f3leo sobre lienzo de 1916, obra del artista pacifista jud\u00edo Mark Gertler (1891-1939), resulta m\u00e1s inquietante. Sin embargo, en \u00e9l Gertler tiene mucho que decir que resulta desafiante y valioso para los cristianos. De hecho, esta obra debe inquietar, y esa fue sin duda la […]<\/p>\n","protected":false},"author":9,"featured_media":284073,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,14063,7],"tags":[],"class_list":["post-294521","post","type-post","status-publish","format-standard","has-post-thumbnail","category-en-foco","category-ojo-de-la-aguja","category-opinion"],"yoast_head":"\nArtWay: Mark Gertler (1916), \u00abMerry-go-round\u00bb - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/?p=294510\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ArtWay: Mark Gertler (1916), \u00abMerry-go-round\u00bb\" \/>\n<meta property=\"og:description\" content=\"Entre m\u00e1s se analiza este \u00f3leo sobre lienzo de 1916, obra del artista pacifista jud\u00edo Mark Gertler (1891-1939), resulta m\u00e1s inquietante. Sin embargo, en \u00e9l Gertler tiene mucho que decir que resulta desafiante y valioso para los cristianos. 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