{"id":295467,"date":"2026-10-05T00:25:22","date_gmt":"2026-10-04T23:25:22","guid":{"rendered":"https:\/\/theprisma.co.uk\/?p=295467"},"modified":"2026-10-03T05:17:59","modified_gmt":"2026-10-03T04:17:59","slug":"la-llamada-del-clarinete-de-alfredo-jaar","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2026\/10\/05\/la-llamada-del-clarinete-de-alfredo-jaar\/","title":{"rendered":"Llamada del clarinete de Alfredo Jaar"},"content":{"rendered":"<p><em>Un nuevo estudio de Florencia San Martin analiza la obra de Alfredo Jaar y la valencia pol\u00edtica de su arte visual, en su mayor\u00eda instalaciones.<\/em><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><span style=\"color: #003366;\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-295472 alignright\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/10\/Jaar-Plate-2-Foto-supplied-by-publisher.jpg\" alt=\"\" width=\"485\" height=\"371\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/10\/Jaar-Plate-2-Foto-supplied-by-publisher.jpg 1050w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/10\/Jaar-Plate-2-Foto-supplied-by-publisher-261x200.jpg 261w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/10\/Jaar-Plate-2-Foto-supplied-by-publisher-1024x784.jpg 1024w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/10\/Jaar-Plate-2-Foto-supplied-by-publisher-100x75.jpg 100w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/10\/Jaar-Plate-2-Foto-supplied-by-publisher-431x330.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/10\/Jaar-Plate-2-Foto-supplied-by-publisher-862x660.jpg 862w\" sizes=\"auto, (max-width: 485px) 100vw, 485px\" \/>Sean Sheehan<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>La obra de Jaar desaf\u00eda la indiferencia pol\u00edtica con im\u00e1genes y gestos que van m\u00e1s all\u00e1 de la mera contemplaci\u00f3n pasiva. Cinco a\u00f1os despu\u00e9s de mudarse a Nueva York en 1982, su animaci\u00f3n de treinta y cinco segundos\u00a0<em>\u00abA logo for America\u00bb<\/em>\u00a0se proyect\u00f3 en Times Square en una valla publicitaria electr\u00f3nica. Mediante mapas y palabras, cuestionaba la apropiaci\u00f3n del t\u00e9rmino &#8216;Am\u00e9rica&#8217; por parte de Estados Unidos y alertaba a los espectadores sobre la naturaleza colonial de la relaci\u00f3n de Estados Unidos con Am\u00e9rica Latina. Se ha convertido en una obra emblem\u00e1tica de Jaar, reescenificada por todo el mundo \u2014incluido Piccadilly Circus en 2016\u2014, que recuerda a sus espectadores que \u00abAmerican\u00bb se entiende con demasiada facilidad como \u00abwhite American\u00bb y no como \u00abLatin American\u00bb, \u00abLatinx American\u00bb, \u00abBlack American\u00bb, etc\u00e9tera. San Martin dedica un sustancioso cap\u00edtulo de su libro a\u00a0<em>\u00abA logo for America\u00bb<\/em> y al impulso de Jaar de reescenificarla en distintas formas y tecnolog\u00edas, pero con la misma carga pol\u00edtica.<\/p>\n<p>Lo considera a la luz de otras obras suyas, as\u00ed como de los escritos de Frantz Fanon, el psiquiatra y activista nacido en Martinica, y de la te\u00f3rica boliviana Silvia Rivera Cusicanqui. Sit\u00faa la obra de Jaar en una \u00abzona de combate\u00bb con la \u00abamericanidad\u00bb y la sem\u00e1ntica del colonialismo.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-295476\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/10\/Jaar-Plate-19-Foto-supplied-by-publisher.jpg\" alt=\"\" width=\"488\" height=\"338\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/10\/Jaar-Plate-19-Foto-supplied-by-publisher.jpg 1050w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/10\/Jaar-Plate-19-Foto-supplied-by-publisher-289x200.jpg 289w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/10\/Jaar-Plate-19-Foto-supplied-by-publisher-1024x709.jpg 1024w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/10\/Jaar-Plate-19-Foto-supplied-by-publisher-431x298.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/10\/Jaar-Plate-19-Foto-supplied-by-publisher-862x597.jpg 862w\" sizes=\"auto, (max-width: 488px) 100vw, 488px\" \/>Presentar esperanza forma parte de la zona de combate y, tras la elecci\u00f3n de Trump como presidente en 2016, Jaar respondi\u00f3 con\u00a0<em>\u00abI can&#8217;t go on, I&#8217;ll go on\u00bb<\/em>.<\/p>\n<p>Las palabras, procedentes de la novela de Beckett\u00a0<em>\u00abThe Unnameable\u00bb<\/em>, en ne\u00f3n rojo y blanco, expresan con concisi\u00f3n la afirmaci\u00f3n de Antonio Gramsci \u2014al presenciar el ascenso del fascismo de Mussolini\u2014 de sentir un pesimismo intelectual, pero un optimismo de la voluntad. Su pertinencia frente al nuevo fascismo que ahora amenaza al mundo es clara: se requiere lamentaci\u00f3n, pero tambi\u00e9n esperanza radical y resistencia; la autora recuerda el\u00a0<em>vivimos adentro, pero en contra<\/em>, de An\u00edbal Quijano. Cuando la instalaci\u00f3n apareci\u00f3 en Edimburgo en 2019, colaboradores caminaron bajo ella llevando carteles de hombre anuncio con el texto repartido entre las dos caras del cartel.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-295474\" src=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/10\/Jaar-Plate-13-Foto-supplied-by-publisher.jpg\" alt=\"\" width=\"488\" height=\"299\" srcset=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/10\/Jaar-Plate-13-Foto-supplied-by-publisher.jpg 1689w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/10\/Jaar-Plate-13-Foto-supplied-by-publisher-300x184.jpg 300w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/10\/Jaar-Plate-13-Foto-supplied-by-publisher-1024x628.jpg 1024w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/10\/Jaar-Plate-13-Foto-supplied-by-publisher-1536x942.jpg 1536w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/10\/Jaar-Plate-13-Foto-supplied-by-publisher-431x265.jpg 431w, https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/10\/Jaar-Plate-13-Foto-supplied-by-publisher-862x530.jpg 862w\" sizes=\"auto, (max-width: 488px) 100vw, 488px\" \/>El estudio de San Martin, basado en diez a\u00f1os de investigaci\u00f3n, es un libro pionero con una abundancia de informaci\u00f3n e ilustraciones sobre los proyectos de Jaar y, cuando la forma es una performance en v\u00eddeo, descripciones fundamentales. Su v\u00eddeo\u00a0<em>\u00abOpus 1981\/Andante desesperato\u00bb<\/em>, en el que sopla un clarinete con todas sus fuerzas hasta que (despu\u00e9s de siete minutos y quince segundos) el agotamiento lo detiene, est\u00e1 inspirado en una escena de una fotograf\u00eda de 1979 de SusanMeiselas. La foto, tomada en los \u00faltimos d\u00edas del levantamiento sandinista contra la dictadura de Somoza en Nicaragua, muestra a dos sandinistas armados cubri\u00e9ndose tras sacos de arena mientras un tercero, con un rifle a la espalda, \u00abmira hacia delante, con la mirada ajena a la acci\u00f3n, mientras toca el clarinete\u00bb. San Martin prosigue diciendo c\u00f3mo cre\u00f3 la obra en un Chile bajo dictadura, \u201cen total aislamiento para evitar la censura y, por ende, el castigo&#8217;\u201d<\/p>\n<p><em>\u00abAlfredo Jaar: decolonial time and the aesthetics of the unfinished\u00bb<\/em>, de Florencia San Martin, es publicado por\u00a0<a href=\"https:\/\/www.dukeupress.edu\/alfredo-jaar\">Duke University Press<\/a>.<\/p>\n<p><span style=\"color: #003366;\"><strong>(Traducido por Monica del Pilar Uribe Marin)<\/strong><em> &#8211; Fotos facilitadas por la editorial<\/em><\/span><\/p>\n<div class=\"twttr_buttons\"><div class=\"twttr_twitter\">\n\t\t\t\t\t<a href=\"http:\/\/twitter.com\/share?text=Llamada+del+clarinete+de+Alfredo+Jaar\" class=\"twitter-share-button\" data-via=\"\" data-hashtags=\"\"  data-size=\"default\" data-url=\"https:\/\/theprisma.co.uk\/es\/2026\/10\/05\/la-llamada-del-clarinete-de-alfredo-jaar\/\" data-dnt=\"true\" data-related=\"\" target=\"_blank\">Tweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Un nuevo estudio de Florencia San Martin analiza la obra de Alfredo Jaar y la valencia pol\u00edtica de su arte visual, en su mayor\u00eda instalaciones. \u00a0 Sean Sheehan &nbsp; La obra de Jaar desaf\u00eda la indiferencia pol\u00edtica con im\u00e1genes y gestos que van m\u00e1s all\u00e1 de la mera contemplaci\u00f3n pasiva. [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":295483,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,14,7,26],"tags":[],"class_list":["post-295467","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultura","category-en-foco","category-opinion","category-paginas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Llamada del clarinete de Alfredo Jaar - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/?p=295455\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Llamada del clarinete de Alfredo Jaar\" \/>\n<meta property=\"og:description\" content=\"Un nuevo estudio de Florencia San Martin analiza la obra de Alfredo Jaar y la valencia pol\u00edtica de su arte visual, en su mayor\u00eda instalaciones.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/theprisma.co.uk\/?p=295455\" \/>\n<meta property=\"og:site_name\" content=\"ThePrisma.co.uk\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ThePrismaTheMulticulturalNewspaper\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-04T23:25:22+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/theprisma.co.uk\/wp-content\/uploads\/2026\/10\/Jaar-Plate-19-Foto-supplied-by-publisher.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1050\" \/>\n\t<meta property=\"og:image:height\" content=\"727\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"ThePrisma\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"3\" \/>\n<meta name=\"twitter:creator\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:site\" content=\"@The_Prisma\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"ThePrisma\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=295455#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=295455\"},\"author\":{\"name\":\"ThePrisma\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#\\\/schema\\\/person\\\/24f5091d3dc50052d73cbea6ecd09df7\"},\"headline\":\"Llamada del clarinete de Alfredo Jaar\",\"datePublished\":\"2026-10-04T23:25:22+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=295455\"},\"wordCount\":603,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=295455#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/theprisma.co.uk\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/Jaar-Plate-2-Foto-supplied-by-publisher-1.jpg\",\"articleSection\":[\"Cultura\",\"En Foco\",\"Opini\u00f3n\",\"P\u00e1ginas\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/theprisma.co.uk\\\/?p=295455#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=295455\",\"url\":\"https:\\\/\\\/theprisma.co.uk\\\/?p=295455\",\"name\":\"Llamada del clarinete de Alfredo Jaar - 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