{"id":90145,"date":"2021-11-29T00:23:07","date_gmt":"2021-11-29T00:23:07","guid":{"rendered":"https:\/\/tucuentavip.com\/?p=90145"},"modified":"2021-11-29T07:11:11","modified_gmt":"2021-11-29T07:11:11","slug":"el-otro-lenguaje-de-la-postmodernidad","status":"publish","type":"post","link":"https:\/\/theprisma.co.uk\/es\/2021\/11\/29\/el-otro-lenguaje-de-la-postmodernidad\/","title":{"rendered":"El otro lenguaje de la postmodernidad"},"content":{"rendered":"

Hay que relacionar el grafiti \u00a0de antes con <\/em>el mundo del arte y quitarle lo ofensivo\u2026\u00a0 Esto se pod\u00eda decir<\/em> en el siglo pasado cuando sobre la d\u00e9cada de los 80s.<\/em><\/p>\n

 <\/p>\n

\"la-seduccion-pared-grafiti-pixabay-2\"<\/strong><\/span>Armando Orozco Tovar<\/strong><\/span><\/p>\n

–<\/span><\/p>\n

Era la \u00e9poca en que aparecieron los \u201cartistas\u201d callejeros, que ten\u00edan sus m\u00e1s cercanos antecedentes en los \u201cjucos\u201d<\/em>, militantes comunistas, o en los miembros de otras organizaciones pol\u00edticas de izquierda, quienes las paredes con consignas escritas y afiches pegados con un engrudo tan efectivo, que hoy envidiar\u00edan los productores de los mejores pegantes.<\/p>\n

Recuerdo uno de estos carteles, que se hizo cuando se dio la unidad entre el Movimiento Revolucionario Liberal (MRL) y el Partido Comunista (PCC), en el cual aparec\u00eda en uno de ellos (a la izquierda) el triunfante l\u00edder cubano, Fidel Castro, (y a la derecha) el candidato presidencial Alfonso L\u00f3pez Michelcen, y que rezaba: \u201cL\u00f3pez ser\u00e1 el segundo Fidel de Am\u00e9rica.\u201d<\/em> Por este anuncio yo dar\u00eda hoy \u00a0cualquier dinero para engrosar mi colecci\u00f3n de absurdos \u00a0\u201cLocombianos\u201d.<\/em><\/p>\n

\"la-seduccion-pared-grafiti-pixabay-3\"<\/strong><\/span>Pero nada de esto tiene que ver con el grafiti moderno, y s\u00ed m\u00e1s bien con las consignas aparecidas despu\u00e9s como: \u201cVencer\u00e1s Marquetalia\u201d, y otros letreros como: \u201cFarcrimen\u201d, que la infancia uribista \u00a0de los seguidores derechistas del expresidentes Alvaro Uribe, se debi\u00f3 inventar en esa \u00e9poca \u201cde b\u00e1rbaras naciones\u201d, tan remota como la desmemoria mit\u00f3mana de los sue\u00f1os.<\/p>\n

Las paredes bogotanas se llenaron de toda clase de frases pol\u00edticas, las cuales se transformaron paulatinamente en verdaderos antipoemas a lo Nicanor Parra, como aquel \u00a0referente a una canci\u00f3n de Serrat con letra de Machado, que dec\u00eda: \u201cSe hace gam\u00edn al andar.\u201d<\/p>\n

De esta forma nac\u00eda el ingenio como expresi\u00f3n y no como ocurre ahora: como basura inundando los muros, puertas, ventanas, techos, postes, cabinas telef\u00f3nicas, cajeros autom\u00e1ticos, rejas, vitrinas, puentes, etc. Denotando una demencia \u00a0juvenil inveros\u00edmil por la magnitud de los garabatos, pintados a cada momento \u00a0de d\u00eda y noche en todas partes.<\/p>\n

\"la-seduccion-pared-wall-graf-pixabay\"<\/strong><\/span>\u00bfC\u00f3mo llamar a esta clase de signos?: S\u00edmbolos, grafos, dibujos, manchas\u2026 \u00bfQu\u00e9?<\/p>\n

Son signos que para la mayor\u00eda de los ciudadanos no dicen nada y que, a diferencia de las anteriores manifestaciones comunicativas inteligentes, sirven apenas para lograr una contaminaci\u00f3n visual sin precedentes.<\/p>\n

Con tanta basura regada, \u00a0con los \u00a0mendigos que invaden como hordas de miseria la urbe y con las ventas ambulantes, solo faltaban estos grafitis<\/em> que han convertido la llamada \u00abAtenas suramericana\u00bb (Bogot\u00e1), en un gran muladar con edificios sucios abandonados como si la segunda guerra mundial con sus bombardeos hubiera pasado tambi\u00e9n por aqu\u00ed.<\/p>\n

Adem\u00e1s a Bogot\u00e1 D.C (Colombia), nunca se sabe desde si la est\u00e1n construyendo o destruyendo desde siempre.<\/p>\n

Creo que detr\u00e1s de estos \u201cMiguelangellos<\/em>\u201d callejeros armados con espray, se esconden las barras bravas y furiosas del f\u00fatbol, fuera de los estadios marcando sus territorios. \u00bfSer\u00e1 acaso \u00a0otro lenguaje de la postmodernidad?<\/p>\n

El grafiti, sobre todo el pol\u00edtico, antes estaba presente (y afortunadamente a\u00fan lo \"la-seduccion-pared-wall-graf-pixabay-2\"<\/strong><\/span>sigue estando) en las universidades como la Nacional de Bogot\u00e1, pero a diferencia de esos a\u00f1os el garabato actual perdi\u00f3 todo \u00a0encanto e \u00a0ingenio como por ejemplo los que se hac\u00edan diciendo: \u201cDios no cumple ni a\u00f1os\u201d.<\/p>\n

Porque lo que se hace hoy, gracias a la seducci\u00f3n de las paredes, no muestra inter\u00e9s por la comunicaci\u00f3n, sino por dejar una huella agresiva como demarcaci\u00f3n en todos los lugares.<\/p>\n

(Fotos: Pixabay)<\/span><\/em><\/p>\n

\n\t\t\t\t\tTweet<\/a>\n\t\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Hay que relacionar el grafiti \u00a0de antes con el mundo del arte y quitarle lo ofensivo\u2026\u00a0 Esto se pod\u00eda decir en el siglo pasado cuando sobre la d\u00e9cada de los 80s.   Armando Orozco Tovar – Era la \u00e9poca en que aparecieron los \u201cartistas\u201d callejeros, que ten\u00edan sus m\u00e1s cercanos […]<\/p>\n","protected":false},"author":101011,"featured_media":167764,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,7],"tags":[1081],"class_list":["post-90145","post","type-post","status-publish","format-standard","has-post-thumbnail","category-en-foco","category-opinion","tag-bogota"],"yoast_head":"\nEl otro lenguaje de la postmodernidad - ThePrisma.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theprisma.co.uk\/es\/2021\/11\/29\/el-otro-lenguaje-de-la-postmodernidad\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El otro lenguaje de la postmodernidad - 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