After a long battle with cancer, the well-known film director Luis Ospina died. In 2018 he gave an extensive and exclusive interview to The Prisma and he talked about the unsteady history of cinema in Colombia. Beginning in his native city of Cali he was part of the renaissance that […]
Screen
Domestic violence: the long road to freedom
A film made for cinemas is especially original because it forms part of an upcoming mini-series about refuges for women suffering from domestic violence. The violence may have stopped, but the feelings of loss of personal space and even identity are new challenges to be grappled with in unfamiliar surroundings. […]
Downriver: memory and exile in the waters of Glasgow
A story of migration, bridges, portraits and the rubble of modernity and progress. Filmmaker Victor Diago converts Glasgow into a living archive, where memory, forgetfulness and past crimes mix under a persistent rain. For a mediterranean person, Glasgow holds a magic in the midst of a harsh greyness. A dialogue between present and past.
Chaplin, a satirical view of exile
During his lifetime the English film maker experienced the strong arm of the law at a time when immigration laws in certain countries were increasingly restricting the movement of people around the world, a situation which contradicted the concept of freedom discussed in the last quarter of a century. […]
Catalina Villar: Mental health and repressive public morality
Through showing the impact of the use of lobotomy on her grandmother, her film “Ana Rosa” also deals with the social power of doctors, which they usually deny, claiming that their diagnoses are ‘objective’. The moral discourse on ‘normality’ always influences psychiatric categories. Surgery was used as a social control.
















