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Three sisters at the Wanamaker theatre

In his introduction to his new translation of Chekov’s “Three sisters” Rory Mullarkey rightly draws a comparison between the early 20th century Russian play and Samuel Beckett’s mid-century “Waiting for Godot”: “Two masterpieces sit, like bookends of Modernism, with a half-century of horror between them”.   Sean Sheehan    And, […]